Hope Tree, an set up piece by 24° Studio, was exhibited at Tokyo Designers Week 2010. 24° Studio was one of many winners of Environmental Container Design & Artwork Competitors sponsored by the Design Affiliation NPO and Dezeen.
From the designers:
The Hope Tree set up was envisioned as a spatial situation that attended to query our surrounding as we all know it and hoping to generate a dialogue and understanding amongst the guests concerning the place of our on a regular basis life, our surroundings. Recently, we’re bombarded with merchandise that attempt to cope with the results of environmental damages all through the world, however sometimes we overlook the roots of those occurring issues by not absolutely understanding our surroundings.
Idea A tree was chosen as a departing level as we universally can determine with. All through ages tree has been probably the most primitive type of a shelter, backyard, and, most significantly, our companion. With human innovation and intervention, a tree has been contributing to our lives taking a unique type, from a easy paper sheet to a posh home. Each fruit, flower and leaf that bears from tree symbolizes a change and hope for tomorrow. However, even a robust standing tree is frail. If not taken care correctly we might ultimately stop its presence.
Hope Tree set up invitations viewers to expertise their surrounding surroundings anew via a single tree and an area that bears from it.
Course of The set up required to be located inside the 20 ft delivery container. The development of a toroidal area inside a container enclosure was created. Such strategy offered a chance of emphasizing a clean enclosure, and in addition implementing a illustration of a tree on the middle of the area.
The toroidal floor was composed of 670 self-supporting watercolor paper panels. Along with the thickness of the watercolor paper, the rigidity of every panel was additional strengthened with edges of cardboard to create a field type. The symmetry of toroidal type allowed for minimized typological variation of the field panel easing the manufacturing course of.
The field panels have been assembled in a spatial arch, impressed by the normal masonry arch development. This manner of development allowed the elliptical ceiling arch load to be equally distributed between the central column and the perimeter wall.
Leaf-like cutouts have been strategically sized and deformed accordingly to the geometry of the field panels. The openings have been backed with a tracing paper, which carried out as a diffusing floor for the LED string lighting past. The appliance of LED lighting allowed the protection of your complete area with minimal watt utilization.
Moreover, the property of watercolor paper offered a dynamic response to the environmental issue inside and out of doors of the container. The humidity and condensation created inside the container through the continuously altering climate circumstances through the period of the exhibition allowed the leaf-like cutout to warp out and expose the subtle lighting every day.
Challenge InformationProject Designer: 24º Studio (Fumio Hirakawa + Marina Topunova)Undertaking Identify: Hope TreeLocation: Tokyo, JapanProject Workforce: Fumio Hirakawa, Principal, Marina Topunova, PrincipalNew York Workforce: Rain Yan Wang, Jennifer Shively, Motoko ShobojiTokyo Workforce: Taro Fukunaga, Gregory Kay, Yo Konishi, Kumiko Ouchi, Akira Taguchi, Atsushi Takahashi