The current work of Andrew Lyles exhibits us a course of remarkably certainly one of a remarkably targeted investigation of shade and type. This course of begins with an exploration of the chances with portray. Andrew works to seek out relationships inside a floor which have which means for him as a reference to the world as he sees it. These surfaces are wealthy and thick, closely labored – an try to seek out a corporation inside the confines of a rectangle (kind of) that resonates. These surfaces point out a “painter’s” wrestle to resolve the circumstances of the work inside the constraints of this conventional focus. However he can’t. These surfaces grow to be a part of the world that he’s responding to, and the method continues.
Andrew has said: “It’s like choosing out your favourite marbles, then throwing them up within the air and seeing how they land.” The relationships between the varied marbles catch his consideration. In his course of, he focuses first on what’s in entrance of him, after which units it apart. As these “elements” accrue, the relationships between them begin to assert themselves. Discovered elements that discover their means into his studio as parts from the world he sees be a part of within the dialog. Constructed wooden varieties, constructed first as a singular exploration, turn into frameworks for the opposite elements. The last word work turns into a dialog between this assortment of private histories, observations and objects, they usually typically change dramatically with a shift in context.